My work is based on the rethinking of the visual relish for the classic still life paintings and sculptures with its idolizing the world of objects and every particular detail, reflecting the inner condition and divine beauty of nature. Today, we used to perceive the “pictorial” genre of still life as an unprincipled admiring objects, carrying a purely  utilitarian function. Though at the dawn of its formation it was nearly what we call today “conceptual art” with its mythological code for understanding. The body of the object as a symbol and a repository of impressions, feelings, memories, information becomes a conductor in the outside world. The work is very tactile and unfold the artist behind it.